This week I’m reading volumes 1-3 of The Great Iron War, by Dean F. Wilson, a science fantasy steampunk series in which Earth (or someplace like it) is invaded by outsiders, called “demons” (even though I’m pretty sure that’s not what they are) who come in search of iron. Hence the name of the war.
This week I’m readying Husk, by D.P. Prior, in which a
bounty hunter “Maresman” arrives in the Old West alien town of Portis on the trail of an outlaw “husk”, or demon, who is apparently responsible for the deaths of at least five people. Hilarity does not ensue.
Today I reached into my massive pile of rejections and pulled out a relatively boring one from Clocktower Fiction’s webzine. This one was for “Love and the Tides of Darkness”, a short story that I originally wrote specifically for an anthology called On The Eighth Day. I really liked this story and tried to sell it to a bunch of different markets, but once the year 2000 rolled around, it was pretty much obsolete.
So this weekend we finally got around to watching “Paranormal Activity”, the (in)famous smash hit that was filmed down in San Diego for about $11,000 and went on to make a couple hundred million dollars. My wife wasn’t all that enthusiastic about it, because of the “found footage” nature of the film, which reminded her of “The Blair Witch Project”. We both hated that movie. Maybe we’re jaded from having spent so much time hiking and occasionally getting lost in the woods, but all we both kept thinking during TBWP was, “Just keep walking downstream, you idiots!” Fortunately, that wasn’t an issue with “Paranormal Activity”.
So I finally got around to seeing Drag Me To Hell, Sam Raimi’s return to the horror genre after a lengthy detour through Marvel Comics territory with two of the best super-hero movies ever (Spider-Mans I and II) and one super-hero movie that kind of stunk (you know which one I mean). While not as loopy as Raimi’s earlier classics Evil Dead II and Army of Darkness, and not as straight-up horrific as the original Evil Dead, DMTH is still a lot of fun — sort of like Darkman with maggots.
This week’s random rejection is brought to you by the “Know Your Market” department:
Back in the 90s, there was a lot of concern about the “Year 2000”, and this translated into a large number of film and fiction projects that dealt with the upcoming inevitable apocalypse. One of these was an anthology called On The Eighth Day, which almost included my short story, “Love and the Tides of Darkness.” Almost.