This week I’m reading MaddAddam, the third part of Margaret Atwood‘s post-dystopian/post-apocalyptic trilogy that began with Oryx & Crake and continued with The Year of the Flood — although because Oryx & Crake and The Year of the Flood ran more or less concurrently, perhaps “continued” isn’t quite the right word. Let’s say “was expanded” instead.
The Invasion of the Tearling: Well, I haven’t quit reading it yet! Actually so far this book is a big improvement over the first one. It helps that the Queen of the Tearling, Kelsea, is spending less time looking at herself in the mirror, moping over her appearance, and acting stupid (though she could hardly spend more time acting stupid because, really, she already achieved peak stupidity in the first book). But what really helps are the extensive flashbacks to the (barely) pre-apocalypse life of one Lily Mayhew, who lives in a burbclave with her monstrous husband and accidentally becomes involved with a separatist movement. Frankly, everything involving Lily is at least three times as interesting as anything involving Kelsea. In fact, at this point I consider Kelsea’s parts of the story to be annoying interruptions of Lily’s parts of the story.
No, not this:
So, this arrived in the mail last week:
So just before the end of 2016, I finally finished what is
surely almost definitely probably the final major editing draft on Television Man, my dark fantasy novel which is sort-of set in the Adirondack park of upstate New York.
And you know what that means: It’s time to prepare and lay out the ebook and dead tree versions. It’s not as easy as one might think.