This week I’m still reading The Yellowstone Conundrum, by John D. Randall, which some 400-odd pages in has begun to morph from a natural disaster epic into an urban warfare epic: Another Battle of Seattle, if you will, only this time between marauding street gangs and various pockets of Our Heroes trapped in the city by the one-two punch of a 9.5 earthquake (which, in this book, is vastly the punier of the two big quakes) and subsequent tsunami (not puny at all). In fact, one group of characters even gives a shout-out to “Escape from New York” by assigning themselves characters from the film. Oh, and for those who were worried — spoiler alert! — the dog is still with us. (In case you were wondering, he’s designated as the Ernest Borgnine character in “EfNY”, Cabbie.)
So here I am still reading The Black Mountain, by Rex Stout, months after starting it — not because it’s a long book or because it’s a slog but because it’s made of paper, and if I attempt to read a paper book anywhere near Saya the Mighty she will try her best to steal it and shred it, and we can’t have that, now can we?
This week I’m reading Reversion: The Inevitable Horror, by one J. Thorn, which purports to be for fans of Clive Barker, Stephen King’s story “The Langoliers”, or a previous Teaser Tuesday entry, Hugh Howey’s Wool. I can sort of see the comparison to “The Langoliers” in that Reversion also takes place in a world (possibly a pocket dimension) that is in the process of disintegrating, but (so far, anyway) it is nothing like Wool or anything I’ve read by Clive Barker. In fact I wouldn’t even categorize it as horror, despite the presence of hordes of zombies, who mostly stand around in large groups attempting to prevent Our Heroes from moving. In that, they are not unlike all the drivers who clog the freeways around Southern California. Hmm, perhaps it’s a horror novel after all …
So this week I’m reading a book called Hal Spacejock, by Simon Haynes. (This is after polishing off the very short post-apocalyptic SF book H2O, by Irving Belateche, which while not making it to Teaser Tuesday, is notable because a central plot point is the remnant of the Internet that still exists in its devastated world. The Internet scrap is called the Line, capitalized, which caused me to draw constant comparisons between it and the Line from The Half-Made World. Needless to say, H2O did not benefit from the comparison. But I digress.)
Since last week I featured a rejection letter from Tom Piccirilli’s old magazine “Pirate Writings”, I was inspired to get around to reading his book The Last Kind Words (currently available for the Kindle for $0.99). I haven’t read any of Tom Piccirilli’s work since A Choir of Ill Children, which is one of my favorite book names, though All Heads Turn When The Hunt Goes By still holds the position of Best Title Ever. But I digress.