Knowing Your Audience

So as I’ve mentioned before, whenever something we’re watching focuses on anything like a newspaper or magazine article, source code, a computer screen, a dating profile, etc., I am always compelled to pause the video and go have a closer look. Normally what’s displayed is word-like filler material, but finally—finally!—I found a show that really, really knows its audience. That show would be Doom Patrol on HBO Max.

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And Then Sometimes The Subtitle Mistakes Are Strangely Appropriate

So as I’ve mentioned numerous times, we got in the habit of leaving subtitles on a long time ago, when Dennis became an Old Man Dog and would frequently complain to us that we should stop watching television because he wanted to go to bed; and thus we were introduced to the world of subtitles that are amusing in their own right, humorously inaccurate, or in open rebellion against what the actual dialog is. But this may be the first time we’ve run into subtitles that are humorously inaccurate yet also completely appropriate, and it comes from (you guessed it) the TV show House.

Now, first, a little backstory: In this episode, House takes on as a patient a 15-year-old girl with a form of dwarfism who is suffering from what everyone thinks is liver failure. He correctly predicts that the condition is progressive and that her pancreas is about to fail, but no one listens to him (because reasons), so they proceed with a liver biopsy, or something. Or at least, they attempt to. Before they can even sedate her, the girl slips into unconsciousness as a result of some manner of insulin shock, and the team calls for an emergency insulin drip to save her. OR DO THEY?

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Still, Still Not A Review Of “House”

So, yes, we are still watching House. Given the number of episodes available, we’ll probably be watching it until late spring. And although I’ve editorialized about the improbability of House’s minions doing everything around the hospital, up to and including breaking & entering and digging up the buried corpses of deceased pets, I think that we have, at this point, encountered what must be the most unbelievable thing House has ever tried to get past us. Seriously, I mean, I’m always willing to suspend disbelief, but this time they just went too far. Once you see what I’m talking about, I’m sure you’ll agree.

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Still Not A Review Of “House”

So a while back, I mentioned that my wife and I had started watching House on the Peacock streaming service, thus making us one of the like eight people who subscribe to Peacock. Given the fact that House has caught on with my wife*, and the fact that it ran for eight seasons with around 22 episodes a season, we’re going to be watching it into the indefinite future, and now that we’re some ways into it, there have been some further thoughts and commentary on the subject. For instance:

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Not A Review Of “Outer Range”

So recently, having finished four three seasons of Killing Eve, we have been casting around for something else that my wife won’t find too violent/gory (and the four three seasons of Killing Eve just barely slid in under that barrier), and, for the moment, have settled on the Amazon series Outer Range. This series doesn’t have very many episodes yet, so it won’t occupy us for long, but it’s the one she currently asks for when we sit down to watch television after a long day of trying to tire out The Bean.

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Still Not A Review Of “Stranger Things 4”

So last week, I mentioned that I had finally started watching season four of Stranger Things, and I also made reference to its use of the Kate Bush song “Running up that Hill”, which, at the time, I knew had surged in popularity as a result of its appearance in the show. However, when I wrote that post, I was only on episode one of the new season, in which “Running up that Hill” was used briefly in a scene where one of the characters was walking through the halls of her new school. I was pretty sure that this scene could not possibly account for the sudden popularity of the song, so I expected it to make a repeat appearance; but I’ve been doing a pretty good job of avoiding spoilers for this season, and so I didn’t know exactly when that would happen, until I got to episode four, when some major plot developments occurred, which I am of course going to mention. So you know what that means …

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Not A Review Of “Stranger Things 4”

So recently I finally got around to starting to watch the latest season of Stranger Things. (I have not, of course, finished it yet; in fact, at the time of this writing, I’ve only seen two episodes. I remain a Level 1 Binge Watcher.) Now, as per usual with Stranger Things, my wife is paying absolutely no attention to it, although she may glance at the screen from time to time when it plays a song she recognizes from the 1980s, such as:

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Sing Us A Song You’re The Piano Man

So as I’ve mentioned before, our current go-to show is Halt and Catch Fire, which is largely a dramatic program (although the drama is punctuated by some very funny moments). However, we also like to keep something a little lighter—variously referred to as “fluff”, “dessert”, and/or “a marzipan confection”—as an antidote to all the heaviness. One recent auditionee was the longrunning sitcom Community, which I’d heard of but never watched. It came up a lot in discussions/reviews of Mad Men due to sharing an actress, Alison Brie, with that show, as well as with another show that I watched but was never able to get my wife interested in, despite its being set in the 80s and featuring lots of 80s music:

Wife: “Hey, isn’t that Pete’s wife? Wasn’t she in that weird wrestling thing you used to like?”

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